ULI
New Ireland
Wood, opercula shells, kaolin, parinarium nut paste, pigments
H. 168 cm
XVIII C.
Collected by Franz Boluminski, 1900
Linden Museum, Stuttgart, 1908
Arthur Speyer, Berlin
Ralph Nash, London
Anne and Jacques Kerchache, Paris
Exhibitions
BEYELER FOUNDATION, Visual Encounters, Africa, Oceania and Modern Art, Basel, 2009
Publications
A. KRÄMER, Die Malánggane Von Tombára, Munich, 1925
H. FISCHER, L’Art dans les Iles de la Mer du Sud, in Cahiers d’Art, Paris, 1929
P.C. GIFFORD, The Iconology of the Uli Figure of Central New Ireland, Columbia University, 1974
C. VALLUET, Uli, la grande cérémonie, Primitifs – Arts Tribals et Arts modernes Nº6, Paris, 1991
BEYELER FOUNDATION, Visual Encounters, Africa, Oceania and Modern Art, Basel, 2009
ULI
New Ireland
Wood, opercula shells, kaolin, parinarium nut paste, pigments
H. 168 cm
XVIII C.
Collected by Franz Boluminski, 1900
Linden Museum, Stuttgart, 1908
Arthur Speyer, Berlin
Ralph Nash, London
Anne and Jacques Kerchache, Paris
Exhibitions
BEYELER FOUNDATION, Visual Encounters, Africa, Oceania and Modern Art, Basel, 2009
Publications
A KRÄMER, Die Malanggane Von Tombára, Munich, 1925
H. FISCHER, L’Art dans les Iles de la Mer du Sud, in Cahiers d’Art. Paris, 1929.
P.C. GIFFORD, The Iconology of the Uli Figure of Central New Ireland, Columbia University, 1974
C. VALLUET, Uli, la grande cérémonie, Primitifs – Arts Tribals et Arts modernes Nº6, Paris, 1991
BEYELER FOUNDATION, Visual Encounters, Africa, Oceania and Modern Art, Basel, 2009